A recently discovered piece of music, thought to be composed by the renowned Polish musician Frederic Chopin, has emerged nearly two centuries after its creation. This previously unknown waltz was found in the archives of the Morgan Library and Museum located in New York City. The manuscript, which dates back to between 1830 and 1835, was brought to light by curator Robinson McClellan during his efforts to catalogue new collections.

To verify the authenticity of the score, McClellan sought the expertise of a prominent Chopin scholar. Although the manuscript does not bear Chopin’s signature, it features his unique bass clef handwriting. While there are some minor discrepancies in rhythm and notation, McClellan is confident that this work is indeed attributed to Chopin. He expressed his conviction to BBC’s Newshour, stating, “What we’re most certain about is it is written in the hand of Chopin, paper that he wrote on himself in his own hand.” He went on to clarify that while he feels 98% certain regarding its composition by Chopin, definitive proof remains elusive. Many who have listened to the piece share a strong intuitive feeling that it resonates with Chopin’s distinctive style.

McClellan noted some unusual characteristics in the music, including an unexpected stormy introduction that is somewhat atypical yet not entirely inconsistent with Chopin’s oeuvre. He remarked that the melody strongly embodies what one might expect from Chopin’s works. Renowned pianist Lang Lang has also recorded this waltz for a feature in the New York Times, which played a significant role in bringing this exciting discovery to public attention.

This revelation adds another layer to our understanding of Chopin’s legacy and highlights the ongoing exploration of his extensive body of work. As researchers continue to delve into the archives for lost compositions, such discoveries remind us of the depth and richness of classical music history waiting to be uncovered.